This work questions the usefulness of the female body, with powerful torque in androgynous as a means of diffusion of ideas or projects. This series of specific projects is clearly characterized by irony, as all constant transformations towards the “ideal”, lead or bump to death. Substantially, it is not the projects or the ideas themselves that are being judged, nor their projection. The argument relates to the type of projection, expressed also by irony, which deconstructs the very idea or project. So, is it really necessary to use the “impersonal” androgyny as a tool for viewing projects, and changing the means of projection, what is the impact on them? (physical size)